It always strikes me as funny when something considered high brow clearly has roots in things once, or still, considered low brow. Take HBO’s Southern Gothic crime drama True Crime, which is now being released on DVD and Blu-ray. While critics rightfully applauded its direction, writing, acting, and cinematography, the show is firmly rooted in the kind of pulpy, noir-ish crime novels that were once dismissed as junk. Which is why True Crime will appeal to those who enjoy quality television dramas as well as dark crime stories, especially if they watch it on this collection, which presents it with the picture and sound quality it deserves.
Category: Reviews
In most sci-fi action films in which aliens try to conquer the Earth, the hero is a strapping young lad with an accurate trigger finger who saves the day. But in Edge Of Tomorrow, Tom Cruise plays a older, un-strapping lad with no combat skills who, thanks a looping time mechanic, becomes an unlikely hero…who, of course, saves the day. But while you know where this is going, how it gets there and what it does along the way might surprise you.
As a Jew-ish, World War II first-person shooter fan whose history with the Wolfenstein series goes back to the original 2D game from 1981, Castle Wolfenstein, I came to the first-person shooter Wolfenstein: The New Order cautious but hopeful. But MachineGames — who made it for the Xbox 360, Xbox One, PlayStation 3, PlayStation 4, and PC — have managed to assuage my fears and exceed my hopes by making a Wolfenstein game that plays like modern-style first-person shooter.
n the sixty years since he made his big screen debut with Gojira, Godzilla has made dozens of movies; some good (1971’s Godzilla Vs. Hedorah), some bad (1985’s The Return Of Godzilla), and some…just awful (1998’s Godzilla).
But the new Godzilla is not just the best Godzilla move since 1975’s Terror Of Mechagodzilla, it may be the best one since Gojira, one of the best movies of the year, and maybe the most exhilarating movie since 2012’s The Avengers.
Mario Kart 8 Review
For more than twenty years, the Mario Kart games have brought cartoony, arcade-style racing to Nintendo’s systems. But while Mario Kart 8 does a good job of continuing this tradition on the WiiU, it’s hard not to think that it could’ve been better.
As you’ve probably heard since you were a little kid, you can’t judge a book by its cover. Which means you also can’t judge a movie by its poster, a video game by its box art, or a breakfast cereal by its cartoony mascot. Y’know, the one on its cover. But it’s also true of a name, as illustrated by the title of Paul Bley’s new album, Play Blue: Oslo Concert. Because while it has a playfully pun-ny title, the music is anything but goofy.
When the new Godzilla hits theaters on May 16th, it will end a ten year hiatus for the big guy that began after Toho released Godzilla: Final Wars in 2004.
In honor of his return to the silver screen, Sony Pictures Home Entertainment are releasing eight of the eleven pre-retirement movies as a series of four, two-disc/two movie Blu-rays called The Toho Godzilla Collection, the last of which presents 2003’s Godzilla: Tokyo S.O.S. as well as the aforementioned Final Wars.
In some ways, Godzilla movies are like professional wrestling, since they’re really just excuses to watch a bunch of big guys beat the crap out of each other. Though both can also be rather silly, too. Especially when they dumb things down for their younger fans. Both sides of which are illustrated by two movies included on the Godzilla Vs. Destroyah/Godzilla Vs. Megaguirus Blu-ray, the third in a series of four two-disc, two-movie Blu-rays called The Toho Godzilla Collection that present eight of the eleven movies Godzilla made before retiring in 2004.
Usually, when a comic book is adapted into a motion comic, the only thing that moves is a thought or dialog bubble as it pops onto the screen. But like their previous releases, the Wolverine Weapon X: Tomorrow Dies Today DVD from Shout! Factory and Marvel Knights goes beyond the usual conventions, turning this engaging comic book into what’s really an animated mini-movie.