You’ll have to forgive me, but free jazz adjacent sax master Ivo Perelman and his frequent partner in crime, pianist Matthew Shipp, have recorded so many albums together that I’ve lost track.
But while I may not know all their names, I can tell you that their newest collaboration, Magical Incantation (CD, digital) is impressive, even in their rather extensive collaborative career.
It’s weird; while the popularity of vinyl has resulted in a lot of classic albums being reissued, most of those reissues are not the improved kind. They’re typically just the album as it was when it last got released on CD or digitally, except now on big pieces of grooved plastic.
But the good people at Blue Note Records are bucking this trend with Sonny Rollins’ A Night At The Village Vanguard: The Complete Masters, which is not only bringing this album to record players for the first time in years, but with improved sound quality that’s present on the new CD and digital editions as well.
Like a lot of jazz musicians from the 1950s and ’60s, iconic saxophonist Sonny Rollins had more success in Europe at that time than he did in his native America.
So much so, in fact, that he, like them, often had European concerts broadcast on the radio, while also visiting the radio and TV stations for in-studio performances. Performances that, thanks to different (read: lax) copyright laws, were later released on LP and CD despite not being sanctioned by Mr. Rollins.
Well, now fans of Rollins can enjoy them, and guilt free, thanks to Freedom Weaver: The 1959 European Tour Recordings (CD, digital, vinyl), which presents twenty-five songs, and one short interview, from February 21st through March 11th of 1959, which were originally recorded by European radio and television stations.
When it comes to the configurations of jazz groups, trios with a piano player, a bassist, and a drummer are as common as, well, quartets with a saxophonist, and quintets fronted by saxophonists and trumpet players.
It’s why the last thing I need is another common jazz trio.
An uncommon one, however…
This brings me to New Concepts In Piano Trio Jazz (CD, digital), the new and promissory album by the Matthew Shipp Trio. Which, for the record, is comprised of Shipp on piano, Michael Bisio on bass, and Newman Taylor Baker on drums.
When it comes to music, we don’t always know what we’re going to get, even when we know the players.
But occasionally, you can get a good idea.
Case in point: On April 5th, 2024, jazz saxophonist Ivo Perelman and pianist Matthew Shipp will release their latest in a long line of collaborations, Water Music, a quartet recording that also features bassist Mark Helias and drummer Tom Rainey.
But right now, you can get a sense of how well Perelman, Helias, and Rainey work together courtesy of their new trio album, Truth Seeker (digital). And given that Shipp has collaborated with Perelman frequently, and with Helias a couple times (Pathways, The New Syntax), well…
Miles Davis (1926-1991) was one of the greatest jazz trumpeters and composers of all time. But his turbulent life was almost as interesting as his music.
Now that life is being shared, and in grand visual style, courtesy of Dave Chisholm’s new graphic novel biography Miles Davis And The Search For The Sound (hardcover). In the following email interview, Chisholm discusses what went into this book, including how his own skills on the trumpet made it that much better.
It’s funny, while sequels are common in movies and video games, it’s not something musicians usually do, especially jazz ones. Sure, Meatloaf made Bat Out Of Hell II Back Into Hell, and Metallica followed “The Unforgiven” with “The Unforgiven II” and “The Unforgiven III,” but Miles Davis never made Bitches Brew II or Miles Smiles 2 or Round About Noon.
But that’s exactly what free jazz adjacent tenor saxophonist Ivo Perelman and trumpet player Nate Wooley have done with Polarity 2 (CD, digital), their sequel to 2021’s Polarity. Well, sort of. Polarity 2 doesn’t answer all of the unanswered questions from Polarity. Nor does it continue the story or build upon the gameplay from the first one. Or give us another adventure for the superhero named Polarity. But it does do a good job of giving us some rather horn-y jazz instrumentals.
A good jazz trio is a thing of beauty. But it can also be a thing of redundancy, given how so many of them are just piano, bass, and drums, and how, for every Red Garland Trio or Keith Jarrett / Gary Peacock, Jack DeJohnette team-up, you have sixty-seven others who add nothing new.
Which is why I got excited by Seven pieces / about an hour / saxophone, piano, drums (CD, digital), the first album by the trio of saxophonist Mark Reboul, piano player Roberta Piket, and drummer Billy Mintz. Yes, a bass-less trio. Color me intrigued.
Though he seems to record a new album with pianist pal Matthew Shipp every week, and has also recorded a bunch with bassist Michael Bisio, violinist / violist Mat Maneri, and drummers Whit Dickey and Gerald Cleaver, jazz saxophonist Ivo Perelman seems just as comfortable working with new people, too. Of the nine piano players he teamed with for 2021’s duets boxed set Brass And Ivory Tales, for instance, only one was someone with whom he’d previously collaborated.
Which brings me to his new album, Prophecy, on which he teams with cellist Lester St. Louis for the first time, and pianist Aruán Ortiz for the second after…well, what do you know? Brass And Ivory Tales.