Tag: Ivo Perelman

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Ivo Perelman’s Sao Paulo Creative 4’s “Supernova” Review

 

While it’s good to spend time with people who will push you to think in different ways or consider different possibilities, sometimes you just want to be with like-minded folk.

Which is kind of what avant-leaning tenor saxophonist Ivo Perelman is doing on his new album, Supernova (digital), in which he’s teamed with three fellow saxophonists under the name Ivo Perelman’s Sao Paulo Creative 4.

But while you’d expect an album that’s all horns all the time to be cacophonous, especially from someone like the avant-leaning Ivo Perelman, Supernova isn’t nearly so noisy. Er, not all the time, anyway.

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Ivo Perelman, Matthew Shipp: “Magical Incantation” Review

 

You’ll have to forgive me, but free jazz adjacent sax master Ivo Perelman and his frequent partner in crime, pianist Matthew Shipp, have recorded so many albums together that I’ve lost track.

But while I may not know all their names, I can tell you that their newest collaboration, Magical Incantation (CD, digital) is impressive, even in their rather extensive collaborative career.

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Ivo Perelman, Mark Helias, Tom Rainey: “Truth Seeker” Review

 

When it comes to music, we don’t always know what we’re going to get, even when we know the players.

But occasionally, you can get a good idea.

Case in point: On April 5th, 2024, jazz saxophonist Ivo Perelman and pianist Matthew Shipp will release their latest in a long line of collaborations, Water Music, a quartet recording that also features bassist Mark Helias and drummer Tom Rainey.

But right now, you can get a sense of how well Perelman, Helias, and Rainey work together courtesy of their new trio album, Truth Seeker (digital). And given that Shipp has collaborated with Perelman frequently, and with Helias a couple times (Pathways, The New Syntax), well…

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Ivo Perelman, Nate Wooley: “Polarity 2” Review

 

It’s funny, while sequels are common in movies and video games, it’s not something musicians usually do, especially jazz ones. Sure, Meatloaf made Bat Out Of Hell II Back Into Hell, and Metallica followed “The Unforgiven” with “The Unforgiven II” and “The Unforgiven III,” but Miles Davis never made Bitches Brew II or Miles Smiles 2 or Round About Noon.

But that’s exactly what free jazz adjacent tenor saxophonist Ivo Perelman and trumpet player Nate Wooley have done with Polarity 2 (CD, digital), their sequel to 2021’s Polarity. Well, sort of. Polarity 2 doesn’t answer all of the unanswered questions from Polarity. Nor does it continue the story or build upon the gameplay from the first one. Or give us another adventure for the superhero named Polarity. But it does do a good job of giving us some rather horn-y jazz instrumentals.

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Ivo Perelman, Matthew Shipp, Jeff Cosgrove: “Live In Carrboro” Review

 

While tenor saxophonist Ivo Perelman and pianist Matthew Shipp are so prolific — both individually and as a duo — that even Prince would’ve told them to chill out, the same cannot oddly be said for the trio they sometimes have with drummer Jeff Cosgrove. In fact, in the six years between releasing the trio’s first album, 2017’s Live In Baltimore, and the new Live In Carrboro (digital), Perelman and Shipp recorded nearly a dozen duo albums together, including (but not limited to) Fruition, Amalgam, and Triptych. And that’s not even counting all the ones they made on their own and with other people. But rather than be offended that he doesn’t get to play with his friends as much as he might like, Messrs. Cosgrove should instead revel in the knowledge that, as displayed on this album, it’s pretty cool when he does.

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Ivo Perelman, Matthew Ship: “Triptych” Review

 

Andy Warhol once said, “Making money is art and working is art and good business is the best art.” But even he would’ve thought it was a bummer that, because of financial considerations, the new album Triptych by jazz saxophonist Ivo Perelman and pianist Matthew Shipp went from being a boxed set that presented an album’s worth of music each on CD, LP, and a cassette, and with each recorded with those formats in mind, to only being released digitally as Triptych I, Triptych II, and Triptych III. And while, sure, I really can’t hear the difference in audio quality (which might explain why I’m a music critic, not a music creator), and the songs are good regardless, I still can’t help but wish that Perelman and Shipp had gotten to see the collection as they intended.

For the rest of us, though, all three Triptych sets present the kind of free jazz adjacent music these two have presented countless times before on such albums as Fruition, Special Edition Box, and Amalgam (as you can see from my reviews here, here, and here).

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Ivo Perelman & Matthew Shipp’s “Fruition” Review

 

Free jazz-adjacent saxophonist Ivo Perelman and pianist Matthew Shipp are both so prolific that they sometimes don’t give their songs proper titles. On 2020’s Amalgam, for instance, the songs were called “Part 1,” “Part 2,” etc., while the CD in the cleverly titled Special Edition Box had songs titled “Track 1,” “Track 2,” and so on. But now they seem to be fucking with us because while the tunes on their newest (and 18th) album as a duo, Fruition (CD, digital), are also just numbered…those numbers are out of order, and are sometimes higher than the number of tunes. Good thing they’re also really good or I might’ve gotten annoyed.

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(D)IVO Saxophone Quartet’s “(D)IVO” Review

 

Back in November I was introduced to the idea of a jazz quartet being all sax players when I heard (and reviewed) the album The Circumference Of Reason by the ROVA Saxophone Quartet. Which is good because, without it, I might not have been prepared for what faced me when I started listening to (D)IVO (digital), an exceptional (and exceptionally) free jazz album by (DIVO) Saxophone Quartet, a four-piece consisting of tenor saxophonist Ivo Perelman, soprano saxophonist Tony Malaby, alto saxophonist Tim Berne, and baritone saxophonist James Carter.

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Ivo Perelman’s “Brass And Ivory Tales” Review

 

Throughout his career, saxophonist Ivo Perelman has worked with many different musicians, in many different configurations. But some of his best work has come when he’s teamed up with a piano player, be it Karl Berger (2014’s Reverie, 2016’s The Hitchhiker), Borah Bergman (1996’s Geometry), or the half a dozen he’s made with with Matthew Shipp. Which brings us to his new 9-disc boxed set, Brass And Ivory Tales (CD, digital), on which he collaborates with as many iconic piano players, most of whom are making their first appearance in his discography.

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